Work: The Receptive or the Cynical Mind of the Audience (c. 1958)
Composer: Paul Swan (1883–1972)
Work: Clarity of Communication Must Be the Objective (c. 1958)
Work: Those Whom the Gods Love Die Young, No Matter How Long They Linger on This 'Scene de Ballet' (c. 1958)
Work: Beauty in the Arts Is a Benediction of Laws Obeyed (c. 1958)
Work: Hitch Your Wagon to a Star (c. 1958)
Work: Our Prejudices are the Pebbles in Our Sandals (c. 1958)
Work: Glimpse of the Chinese Theatre
Composer: Anonymous
Work: True Success is to Float Serenely Above Praise or Blame (c. 1958)
Work: Suite of Modern Compositions
Work: Quality Cannot Be Taught, Yet It Is the 'Without Which, Nothing' (c. 1958)
Work: Time, I dare thee to discover (c. 1939)
Composer: Paul Nordoff (1909–1977)
Work: Making the Better Mousetrap is the Secret (c. 1958)
Work: Personality Must Be Winged With Technique (c. 1958)
Work: Glamour, Enchantment, Fascination, Dis-August, and Embarrassing Boredom – Which and Why (c. 1958)
Work: 5 Preludes of Chopin (in dramatic sequence)
Composer: Frederic Chopin (1810–1849)
Work: Establishing the Give and Take with the Audience (c. 1958)
Work: In Courts of the Ancient Kings
Work: The Inevitable Hour
Work: Poems of Paul Swan (in words and movement)
Work: The Difference Between Fame and Publicity (c. 1958)
Work: Juggler at the Circus
Work: Modern Rendering of the Rubaiyat of Omar Khayyam
Work: Facts and Fallacies About Dancing (c. 1958)
Work: The Art That Evokes a Lasting Souvenir (c. 1958)
Work: The Mechanical Effort that Precedes All Art (c. 1958)
Work: Ehetanzlied und andere Gesänge, Op. 10: 2. Selige Stunde
Composer: Alexander Zemlinsky (1871–1942)
Work: Theory Without Movement is Null; Movement Wiithout Theory is Chaos (c. 1957)
Work: Theatre in Old China
Work: Bluff Presumption, Affectation, and Copy-cat-ism Are Not Enough for Dance Equipment (c. 1957)
Work: Bend and Sway
Work: So He Fell In and Drowned
Work: At the Circus
Work: At a French Country Dance
Work: The Hair Which Divides the Sublime from the Ridiculous (c. 1957)
Work: To a Composition by Mario Rosay
Composer: Mario Rosay
Work: Mythological Shepherd
Work: Pages from an Ancient Manuscript of Persia
Work: Posterity Recompenses the Artist His Contemporaries Have Ignored (c. 1957)
Work: Technique is the Means, Not the End, of Dance Expression (c. 1957)
Work: Apache Dance
Work: Musical Lines of Debussy
Composer: Claude Debussy (1862–1918)
Work: Dancing is the Spirit Seeking to Free Itself from the Heaviness of the Body
Work: The Four Elements
Work: What in Art is a la Mode? (c. 1957)
Work: Pagan Legend
Work: French Soiree
Work: Long Ago in a Chinese Temple
Work: Holding to the Line, Literally and Figuratively
Work: Oriental Moods
Work: Passages from an Ancient Poet of Persia
Work: French as She Is Spoke
Work: Rhythmic Designs No. 3
Work: Rhythmic Designs No. 2
Work: Rhythmic Designs No. 1
Work: A Taste is Not a Talent: Moonlight is Not the Sun (c. 1957)
Work: Pagan Interlude
Work: The Temptation
Work: Game of Tennis
Work: Musical Designs on the Canvas of Space
Work: Influences on Dancing of the Other Arts (c. 1957)