Work: Das Marienleben, Op. 27: 1. Geburt Mariä
Composer: Paul Hindemith (1895–1963)
Work: Das Marienleben, Op. 27
Work: 3 A.M.
Composer: Paul Sargent (1910–1987)
Work: 12 Madrigals: 9. Magisches Rezept
Work: Pursuing the Inner Dream (c. 1960)
Composer: Paul Swan (1883–1972)
Work: Interpretation Should Have Something to Do with the Subject Matter (c. 1960)
Work: In a Far Eastern Temple
Composer: Anonymous
Work: The Quality of Art Which Endures and the Quality Which Passes (c. 1960)
Work: Neither the Cut and Dried nor the Fresh and Crude (c. 1960)
Work: Beauty in Art is the Result of Laws Obeyed (c. 1960)
Work: Psalm 121
Composer: Paul Des Marais (1920–2011)
Work: String Quartet
Composer: Paul Ramsier (1937–2021)
Work: Night Songs
Work: End of the Line
Composer: Paul Begaud
Work: Da Pacem (The Stars Sang to the Sea)
Composer: Paul Caldwell (1963–)
Work: When Dreams Take Flight
Composer: Rollo Dilworth (1970–)
Work: Jandamarra: Sing for the Country: Ngindaji ngarragi muwayi
Composer: Paul Stanhope (1969–)
Work: Sonata
Composer: Paul Alexander
Work: Intentional Ugliness Springs from an Inner Lack (c. 1960)
Work: Dancing is Music for the Eye; Music Dancing for the Ear (c. 1960)
Work: The dancer should be soaked in the knowledge of every other art, plus the art of the dance (c. 1960)
Work: Excerpts from an Old Persian Poem
Work: A Good Motto for the Artist Is to Keep on Keeping on (c. 1960)
Work: Keats Was Right in Saying "Beauty is Truth, Truth Beauty" (c. 1960)
Work: "Nothing of that kind can ever be taught," said an astute critic (c. 1960)
Work: The Spirit Under Action Is What Matters (c. 1960)
Work: Themes from St. Paul's Suite
Composer: Gustav Holst (1874–1934)
Arranger: Christina Hans
Work: Je ne t’aime pas
Composer: Kurt Weill (1900–1950)
Arranger: Paul Campbell
Work: For New York (Variations on Themes of Leonard Bernstein)
Composer: John Williams (1932–)
Arranger: Paul Lavender
Work: The Audience is Half the Performance of Any Recital (c. 1959)
Work: Suggestion is So Much Greater in Theatre Impact than Realism (c. 1959)
Work: Everything Happens for a Reason
Composer: Paul Guzzone
Work: In Spite of the Dancer's Appearance, It Is His or Her Mentality Which Directs the Performance (c. 1959)
Work: Dancing Means Nothing to Anyone Who Has No Rhythms in His Soul (c. 1959)
Work: The Search for One's Own Individuality (c. 1959)
Work: Stolen Kiss
Composer: Paul Corn
Work: Elder Washington
Composer: Salim Washington
Arranger: Paul Corn
Work: Art is the Benediction of Laws Obeyed (c. 1959)
Work: Lest We Forget the Despair
Work: From Now On
Composer: Benj Pasek (1985–)
Arranger: Ryan Driver
Work: Come Together
Composer: John Lennon (1940–1980)
Work: Talent, Courage and Persistence is the Formula (c. 1959)
Work: Great Art Should Immunize the Artist from the Petty Detractors (c. 1959)
Work: Face to Face: Forgotten Voices Heard
Composer: Various Composers
Arranger: Guy Mintus
Work: Music Is Love
Composer: Paul Moravec (1957–)
Work: Weep Not For Him
Composer: Tesfa Wondemagegnehu
Work: Dancing Embodies All the Arts (c. 1959)
Work: Clouds
Composer: Ned Rorem (1923–2022)
Work: File for Future Reference
Work: The Rainbow Connection
Composer: Paul Williams (1940–)
Arranger: Audrey Snyder (1953–)
Work: God is a God
Composer: Spiritual
Arranger: Paul T. Kwami (1952–)
Work: Jump for Joy
Composer: Duke Ellington (1899–1974)
Work: Dancing is of the Spirit, Not Merely of the Body
Work: To the True Artist No Price for Success Is Too Dear (c. 1959)
Work: Those Who Know How, Do; Those Others Teach (c. 1959)
Work: Outer Symbols and Their Inner Meanings (c. 1959)
Work: Dancing is for the Dancer; the Audience is a Calculated Accident (c. 1959)
Work: How Many People Deserve to Have Opinions, Good or Bad? (c. 1959)
Work: Aspiration and Inspiration Are Not the Same (c. 1959)
Work: All Passes, Art Alone Enduring, Stays With Us (c. 1959)